Cypha Da King Set to Release First Solo album: “The Kingdom”

first_imgRapper and Producer Cypha D King has finally released a date for his debut album. With much anticipation from his fans, artists and those who know his lyrical prowess, Cypha is cooking up an 8 to 10 track album, just for them.“It’ll be special. The album will be free for download online… working on the website now,” he shared.Cypha has been silently, but with much impact, producing songs for artists like Queen V, Takun J, DenG, Soul Fresh, F dot A, Sweetz and much more. Known as “Mister Yes Sir,” his punch lines dominates tracks he’s featured on or produced, promising “there is more where those came from.”Tracks from the upcoming album have been sampled, and is being played on radio stations. “Blow your mind,” which is a ladies favorite, shows a seductive side of Cypha’s music.IN HIS OWN WORDS – Interview with Cypha Da KingLIB LIFE caught up with Cypha Da King in the following interview:LIB LIFE: If producing is your “area,” as the cliché goes, tell me how you became a rapper.Cypha: I’ve always been a writer, do verses on one or two people’s stuff, doing features. And for awhile, people have been telling me to do an album. As a producer, when you do certain tracks, you have an idea of how you want it to sound at the end. It’s hard to get it out of certain artists, and sometimes I end up writing it myself the way I want it. I just feel Liberians are at a point now where we can measure up to guys like MIA and Ice Prince based on our talents. As for me, I’m more like a sacrificial lamb. The music business is not too much about music anymore so you have to be marketable and they have to like you. You have to know how to carry yourself as an artist, and a lot of artists aren’t there yet. They may be there musically, but everything else-wise, like the whole package, is not there. You can rap from now until 2020, that doesn’t mean you are marketable. You can have punch lines but can you writea love song? Can you write something they can dance to in the club? LIB LIFE: What can artists do to get to that stage?Cypha: Do your homework. Study the music. Since in Africa, I listen to all the African rappers and see what they use that’s good for them, and what they do that doesn’t work for them. You take bits and pieces from here and there and put it out there.Listen to the album and you’ll know why I am a sacrificial lamb. “The Kingdom,” wherever you are and wherever you are comfortable, and you are in that place where you know you rule and you are a king in that area, that’s your kingdom. Whether it’s in your house, your office, your car, the street, in the hood, wherever you know you rule and you lock it down, HNIC (head n**ga in charge), that’s your kingdom, that’s you.The album is very diverse. I didn’t want to do too many collaborations; being though that this is my very first official album. Dec 19, 2015 is the release date and it will be something different, not your typical album from a rapper, stuff that people won’t expect me to be doing. LIB LIFE: Tell us how it all started because you’ve put in a lot of work to come this far.Cypha: Let’s take it way back. My mother always had me playing in the school since 16 or 17. It started when my mother had me playing the keyboard when I was four. It has always been in my blood. I played African drums in the church; played saxophone in the school band; played drums in a band; played in a rock band; and interned in a studio. So it’s been a long time. LIB LIFE: Sounds like you are familiar with different genres of music?Cypha: Yes.LIB LIFE: A lot of people don’t know that you were born in America to Liberian parents. What inspired you to want to affiliate yourself with the Liberian music industry instead of American music?Cypha: My first trip to Liberia was in 2006. I spent five or six months seeing how everything was on the ground; definitely to see where the music game was. On that trip, I decided that I needed to come home and lend a helping hand as much as I can with studio, productions, writing, advice and consultation. In 2008, DJ Blue, Hazem and I opened Blue links Records on Camp Johnson Road.LIB LIFE: Your objective of coming out here to motivate, stimulate, enhance and develop the industry has worked out to the satisfaction of the people. And because of that your track record is amazing. During the heat of Ebola, your team used music and jingles to keep so many people from contracting the deadly virus – and have been recognized by international NGO’s for your efforts. Do you feel that you’ve done what you set out to do out here?Cypha: Yes we have! Blue Links and our team. Blue Links started in 2008 and the first song we did was “Where I’m from” featuring Queen V and Nasseman. Our first HD video had a big release, it was the first time any song had that much impact behind it. After that we worked with Takun J, Nasseman and various artists. I am a producer and can produce music, jazz, Hip Co, jazz and all types of music.When it comes to business, Hott FM and Blue Links, and soon to be Hot TV…I don’t really talking about my business too much…most businesses I invest in privately and wait for them to bubble to a certain point, then the public will know about them. I consider myself to be a businessman. LIB LIFE: Can you hold your own?Cypha: Without a job, I started my own hustle from throwing parties at the club, the Blue Links, radio shows at three to four different radio stations. It’s like the Liberian dream, move to Liberia and become successful. I’m not rich, but far from being broke. There’s a lot of stuff out there that overshadows good Liberian music. I need your support morally and financially. If you see a song on iTunes for $99, buy it. I might make the whole album free. I want to do something different. I want it to be where people won’t have a choice but to have the album… download it!Share this:Click to share on Twitter (Opens in new window)Click to share on Facebook (Opens in new window)last_img read more

Sure large web frameworks in all sorts of languag

first_imgSure, large web frameworks in all sorts of languages are making progress towards easy-to-use, socket-based, real-time connections — but each framework has to make a bunch of compromises to get it out the door, because these frameworks were often first built in a different era, with different core use cases. Django and Rails were easy ways to build dynamic websites, which you’d connect to in a web browser, and pass requests to well-defined endpoints. Request in, response out. Streaming, real-time data does not fit well into the discrete world of web browser requests. Mobile apps have to take this same basic request-based architecture for granted, whether or not it makes sense, and that leads to enormous amounts of work for both mobile developers and server-side devs. The RESTful API paradigm has helped to bridge the gap between what last generation’s web servers expect and what’s natural for mobile apps to send by giving a clear way to send data and to specify what data to send, but that means you end up with a single controller on a mobile app that has to deal with a half-dozen different endpoints. That “heart” button on Instagram? It has its own client-side networking code, and a corresponding endpoint on the server, along with almost every other button in the whole Instagram app. It works, as long as you don’t change anything. But even a small change to your data model will force you to rewrite a ton of client-side and server-side code. You’ll have to rewrite the code that serializes data into a request on the client, then rewrite the code on the server that deserializes that data into something the server can work with. Then you’ll have to update the server’s database schema so it can store it. And then you’ll have to do all the same changes on the round-trip back.There’s considerable fragility here, but why? Ultimately, it’s because even though API servers and mobile apps need to do the same things, they have evolved to solve them in very different ways. Everyone needs to model and store data, communicate with outside services, and run custom logic. But web apps were built around web browsers, and mobile apps simply don’t work that way. Users demand new data, or at least functional apps even if they’re offline. Their use means real-time streaming data makes sense, even though it’s painful for us to implement with the kluge that is the modern mobile API stack.It’s this gap between the nature of mobile and the nature of the web that leads us to frustration in mobile development. Is there a future where we have mobile-native server-side tools that give us features and practices that we know our users demand? Yes. In many ways, those tools exist or are emerging today — including object databases, automatic sync, and serverless frameworks that abstract server-side code from server-side management. Their simplest innovation is their most profound, though: if you can think in a mobile way in your app and on your server, that’s the quickest way to a great experience for your developers and your users. Have you ever tried to read a complicated article with music on? Or turned your coffee machine on and completely failed to return to it when it was finished dripping? You might be confronting our most human of frailties: the fact that our brains just can’t keep track of a whole lot of information at once. Now let’s see if you’ve had this experience as a mobile developer: have you ever tried to build a mobile app and the server for it by simultaneously writing in two different languages, on two different platforms, by working in two different codebases? It’s hard because of the same reason I never end up drinking hot coffee: you can’t keep all the information you need in your head at once.Mobile development seems like a nice, tidy niche until you recognize that every useful, interesting app also requires that you have a server to make it do anything interesting. Server-side code and networking is what turns Facebook from a personal diary into a social network. And whether you’ve got a single person or two dedicated teams building your app and your server, you face the same issues. For starters, you need to learn to build the right server for a mobile app. Hopefully, you’ve got experience with some server-side development to begin with, because it’s a wildly different way of thinking than what mobile developers are used to. Doubly so when things go wrong. When mobile code breaks, it’s often visible and obvious, and usually can be debugged helpfully just inside your IDE. Servers — distributed and decomposed into microservices as they often are — aren’t as generous in letting you know what’s going wrong, or why.Let’s say you do have the server-side experience you need — maybe somebody on your team has built a lot of Django web apps before. The next likely frustration is that your mobile app feature wishlist starts to outrun what’s viable for the server-side tech you’re most familiar with. When you use Uber and instantly see updates to your driver’s location, it’s great! And up until about a year ago, there was no sane way to build that feature with a Django web server, because as useful as real-time protocols are, they often break how web frameworks work. last_img read more